flowers, photography

Choices, Choices . . .

If I cast my mind back a year or so, I wouldn’t have dreamed of using anything ‘artificial’ on a photograph. I enjoyed getting really sharp shots of flowers so I could see the tiny details.

But

Then I began to look at work by photographers such as Kathleen Clemons and Denise Love (2 L’il Owls) and there was something about their treatment of flower shots that brought forward the essence of the flower – the romance of the flower. So, I began experimenting with textured finishes and realised that by using various effects, I could produce something far closer to what I had seen through my rose-tinted spectacles. And the more I experiment, the more I like the finished product. However, that doesn’t make any difference to the importance of getting as much as possible right in-camera which includes lens choice, choices of angles, choice of aperture etc etc.

This week’s flower of the week is a dahlia. A particularly striking pink dahlia from my garden. Now, the first thing that struck me about this dahlia was its symmetry – and that the flowers are actually really heavy. In this case, its essence didn’t seem to be about anything fragile or delicate but rather about how bold and striking it was. That being the case, I chose to use a dedicated macro lens, the Sigma 105 macro. I shot at f6.3 to give it some depth of detail and show off that symmetry and I shot at 1/125 second on a fairly still day to keep it sharp. I also chose to face the flower more or less straight at the camera, again to emphasise that symmetry.

deep pink dahlia-1

However, I kept on looking at this flower and as well as being quite striking, it’s still very fragile and delicate. I am always amazed at what can grow from a tiny seed and what the odds must be against that tiny seed managing to grow into something so complicated with so many chances to fail along the way. But, my choices above don’t really show that side of the flower.

For the next shot, I used the same camera and lens but I opened the aperture a little to f4 which meant I needed to slow down the shutter and as the light had also changed in between, I ended up shooting at 1\80. The slightly larger aperture allowed the focus to start falling off noticeably thereby softening the whole image. I also shot from the side to make the flower look less bold and I included the little bud that seems to be shyly dipping its head. Once I had converted the raw file, I then took it into photoshop and added a layer of texture by Jai Johnson in a sympathetic shade to soften everything a little further. I then did a little further work to the blend mode and opacity of the texture until I had found the mood I was trying to create. All in all I felt that by now, the flower looked far more delicate and romantic – far from the very clear and strking image above:

dahlia-1

So there you have it: the same flower, same camera, same lens but different creative choices. I did notice that where I have posted these shots online, the first one has drawn comments that note is as ‘striking’ where the texture edit is more often referred to as ‘so pretty’ which sort of tells me I did the job I was trying to do which was to take one object and apply deliberate creative choices to affect the mood of the shot and sway the viewer to a particular way of seeing.

And the other bonus is that when you play around like this, you learn an awful lot about your own gear and what it can do with a few tweaks 🙂

Until next week . . .

flowers, photography

Lensbaby Love

I love my Lensbaby. I bought this lens fairly  recently after seeing some fabulous flowers shot with these lenses. Since flowers are my favourite  subjects for photography, I thought I’d give it a go. I bought the Composer Pro II along with the sweet 50 optic. This allows me to decide where I want my ‘sweet spot’ of focus to be and then let the focus fall off sharply around that sweet spot. It takes a little getting used to but if you are already an avid tog with a good grasp of your camera’s settings and how they work, it will probably only take a few hours to take snapshots, review them and understand what the lenbaby of your choice is doing. The Sweet 50 along with a 32mm macro extension tube is perfect for single flower portraits. Although I purchased the dedicated Lensbaby macro converters, I find that a standard set of macro converters does the job just as well – however, I hasten to add that it does just as well for my purposes which doesn’t necessarily mean it will work that way for everyone.

So, my weekly flower for this week is a double osteospermum from my garden shot with a Nikon D750, a 32mm tube and the above lensbaby setup.

If you have a lensbaby, please post me a comment to let me know what your experience with them was and if possible, add a shot to your comment – especially if you use them for other than flowers. I really feel I ought to try them for other things too.

Double purple osteospermum